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Flowerchild
with PearlBud,
Petals of Blues,
Needle Stem:

By Nelson Gary

In a shooting gallery close to China town, Janis Joplin gorgedon the psychedelicatessen using one needle after the next for a cocktail stick in her bloodstream. Tripping on Owsley purple dot, until her habit expanded as she did like Alice in Wonderland while the cocktail stick did the same in proportion, metamorphosing the needle into the fuselage of a rocket that dripped and spurted the sparkle of China White stars from the dropper at the slow motion drama of the tease of a cow girl’s sensuous thumb in extended lysergic trails as if a R. Crumb hitch-hiker to flag down a space trucker (Keep on truckin’).

Eight miles high her pearl face
was the moon reflected in the dressing room mirror

With her finger on the BUTTON, the thumb pressed down on the launching pad plunger filling the disposable syringe with blood’s red stripe quickly rippling into stripes in dispersion against the heroine’s white skin, shooting the soft, hot dissemination of pale, white horse, apocalyptic stud, in explosions of fifty stars, the spectacle of Chinese New Year’s condensed into a high pure enough to dread in a patch of vein as blue as the sky.

 

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November 2001   turn